Short films

The Munich Olympic Stadium, 1972. Athletes and officials are preparing for the 10,000 metres final. Lasse Virén is warming up on the track. It is not a big day only for Virén but for the whole nation.

But one man cannot win alone. It takes a dedicated group of hardworking, reliable people. In a desolate bunker near the track, six Finnish men are preparing to help Lasse achieve the run of his life. A run that changes history. All for the small, relentless nation from the dark cold North.

When her mother dies, Anna has a choice to make. Seeking answers, she embarks on a journey of self-discovery to Helsinki, where she finally meets others like her.

Reflections on a Forest is a film that builds an image of a forest and of the being of different living creatures in a shared space. This told through several simultaneous images, which form an entity that creates and transforms the space of a forest. The purpose of the work is to continue the process of change in visual presentation and the construction of ecological moving image narrative. It is an experiment about how the apparatus of the moving image might be adapted to narration in which information can only be conveyed by realigning the very instruments of that apparatus

Mamu, a young immigrant, is trying to woo Date, a Finnish lady, by making dinner for her. Once the meal is served, she discovers that the main course is a bit too “exotic” for her taste.

Impivaara – A New World adapts Finnish national author Aleksis Kivi’s novel Seven Brothers (1870) for the 21st Century. The emphasis is on climate crisis, the energetic basis of our culture and the co-dependencies of human and more-than-human worlds.

A teenage Black boy is on his way home at night when his bicycle breaks down in the middle of a quiet highway. He stops to fix it and a mysterious woman in a veil appears at the nearby stop.

What if our greatest fear is not death but worthless life? 50-year-old Kati occupies a top position in a large company. Disappointed in life, she leaves her work and embarks on a journey into the end of despair. Encounter with another woman at night fails. Kati flees the world hiding inside a forest bunker.

The programmer Kira and the synth composer Henrik live in a vaning relationship. Henrik catches Kira seemingly having virtual sex, although she claims she’s only working. Henrik breaks into the VR program, and indeed meets Kira’s lover: a virtual clone of Henrik himself! And this VR-Henrik surpasses Henrik on all levels. But when Henrik tries to come between Kira and VR-Henrik, he falls in love with his own clone. All relations fall apart. In the end, Kira and Henrik reunite in mutual care for VR-Henrik: they give him a copy of himself to have as a lover.

On furlough from his military service, Niko pays his estranged father a visit. Can old wounds heal?

Tuulikki has a problem. She is in the throes of young love, and the world outside her window is vibrant and inviting. But her mother disagrees, not wanting to let Tuulikki out of her sight. Tuulikki fights back, but nothing seems to be making a difference. Finally, the mother-daughter relationship escalates when the circumstances prove too much for both of them.